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Producer Hari Narayan Chaurasia’s Horror–Comedy Film SIHARAN Released Across India

The terror of the “Choti Katwa Witch” now in cinema halls

Mumbai : The much-discussed horror–comedy film Siharan, produced under the banner of Om Shivay Films, has now been released in cinema halls across India. The film’s official trailer was launched worldwide on the 10th by Red Bulb Studio and received an excellent response from audiences.

Producer Hari Narayan Chaurasia stated that Siharan is a powerful combination of horror and comedy, offering not only fear and full entertainment but also a strong social message.

The film’s lead actress is Aradhana Sachan, while Abhishek Sharma, Jitendra Yadav, and Madhushree Shah appear in prominent roles. The writing, story, screenplay, and direction of the film have been done by Manish Kumar Verma, who has effectively presented strong action along with horror and comedy.

A special concept of betel leaf (paan) cultivation has been included in the story on the suggestion of producer Hari Narayan Chaurasia. The film powerfully portrays the problems of betel farmers, their business, and the exploitation they face from small villages to big cities.

Co-producer Abha Chaurasia shared that the film highlights issues such as regressive thinking in rural society, color discrimination among women, and social inequality. The film is based on women empowerment and conveys the message that if a woman is determined, she can overcome any difficulty.

The producer’s daughter, Priyanshi Chaurasia, plays the role of a news reporter in the film. She said that she liked the story very much and that being part of this project was a memorable experience for her. Dr. Akanksha is seen delivering a strong performance as the village woman Neelima.

Aradhana Sachan has also served as the Casting Director and Project Head of the film, efficiently handling her responsibilities along with her acting role.

The film’s cinematography has been handled by Raj Yadav, whose camera work gives the film an impressive visual touch.

The action sequences have been designed by Beer Master, showcasing powerful action completely at the level of South Indian films. Shot in regions like Satna and Chhatarpur, the film offers audiences plenty of action and thrill.

The film features a total of four beautiful songs, composed by W. Sahis and melodiously sung by Anushka Banerjee. The background music has been composed by Aniket Bhardwaj and Sanket Gundekar. Art direction was handled by C. P. Sen, with Ravi Rangila as the Assistant Art Director, while makeup was done by Guddu Golden.

Producer Hari Narayan Chaurasia informed that the film’s shooting began on 15 October 2023 and continued for approximately 30 days. Major scenes were shot at the famous religious site Atra Sarkar Ji Hanuman Temple in Khajuraho district, nearby forests, and various other locations.

Dhruv Singh Baghel also appears in an important role in the film, while Durgesh Kumar is seen in a significant psychological role. Around 80–90 artists and technical collaborators from Madhya Pradesh, Uttar Pradesh, and Mumbai have contributed to the film.

Producer Hari Narayan Chaurasia has also worked as an Associate Director in the film and portrayed the character of Police Inspector Ajay Nayak. Several artists from Chhatarpur district have played important roles, with Rajesh Mahanto being especially notable in the role of an MLA.

Before this film, producer Hari Narayan Chaurasia had already made 52 episodes of a documentary series titled Vindhya Ki Virasat, which were telecast on Doordarshan. He received great appreciation for this work. He has also made a documentary film on betel leaf (paan).

The film was shot at beautiful locations in Madhya Pradesh such as Garhi Malhara, nearby villages, Chhatarpur city, Satna, Madhavgarh Fort, and A.K.S. University. Artists from Satna, Chhatarpur, Rewa, Indore, Itarsi, Gwalior, Mumbai, and Uttar Pradesh were given opportunities in the film.

Bollywood actors Mustaq Khan and Junior Mehmood have made audiences laugh a lot with their comedy roles, while the main villain has been portrayed by Satyam Shukla. Other prominent artists include Vijay Manavatkar, Ajay Srivastava, Neeraj Singh Rajput, K. L. Randhawa, Pratap Verma, Anju Rastogi, among many others.

Other contributing artists and collaborators include:

Atul Vatsal, Brij Kishore Patel, Raju Harsana, Abdul Gaffar, Mamta Singh, Sonia Rajput, Harry Oberoi, Durgesh Awasthi, Tariq Barishi, Vivek Singh, Sanjay Sahni, Ravi Rangila, Yogita Koirala, Meera Mandal, Sonia R. K. Goswami, Jaitosh Kumar, Ram Jaiswal, Satyam, Monu, Sonu Dagupuriya, Vikas Narwariya, Raju Soni, and several others who made significant contributions to the film.

The film’s pan-India distribution has been handled by Pickle Entertainment.

Producer Hari Narayan Chaurasia stated that the film, released from 12 December, is performing well in cinema halls.

Audiences are requested to visit their nearest cinema hall and enjoy the horror–comedy film ‘Siharan’.

Producer Hari Narayan Chaurasia’s Horror–Comedy Film SIHARAN Released Across India

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पटना में मेडिकल क्रांति, Dr. राजीव सिंह ने लॉन्च की बिना घुटना प्रत्यारोपण वाली आधुनिक तकनीक

पटना। बिहार में स्वास्थ्य सेवाओं को नई ऊंचाई देने वाले डॉक्टरों की सूची में अगर सबसे भरोसेमंद नाम किसी का है तो वह है साईं हेल्थ केयर वैलनेस सेंटर के संस्थापक और बिहार के सुप्रसिद्ध दर्द रोग विशेषज्ञ डॉ. राजीव सिंह। मरीजों के लिए सहज उपलब्धता, मानवीय व्यवहार और अत्याधुनिक उपचार—इन तीनों गुणों ने डॉ. सिंह को बिहार ही नहीं, बल्कि पूरे पूर्वी भारत में एक जाना-माना नाम बना दिया है।

सालों से वे न सिर्फ इलाज करते आए हैं बल्कि हर साल सैकड़ों मरीजों को मुफ्त चिकित्सा देकर समाजिक जिम्मेदारी भी निभाते हैं। यही कारण है कि आज भी दर्द से परेशान कोई भी मरीज सबसे पहले साईं हेल्थ केयर का नाम लेता है।

नई तकनीक – बिना सर्जरी, बिना घुटना बदले इलाज

इस बार डॉ. राजीव सिंह ने अपने सेंटर में एक ऐसी मशीन जोड़ी है जो बिहार में चिकित्सा जगत के लिए किसी क्रांति से कम नहीं है। यह मशीन है Knee Decompression Machine, जो घुटनों में नेचुरल गैप (Joint Space) बनाकर दर्द को जड़ से खत्म करती है और बिना घुटना प्रत्यारोपण (Knee Replacement) किए ही घुटनों के गंभीर से गंभीर रोगों का इलाज कर देती है।

तकनीक की बड़ी खासियतें: बिना ऑपरेशन, बिना इंजेक्शन, बिना घुटना बदले, बिना दर्द, घुटनों में स्वाभाविक गैप बनाकर तुरंत राहत

विशेषज्ञों के अनुसार यह तकनीक उन मरीजों के लिए वरदान है जिनकी हड्डियों में लंबे समय से दर्द रहता है या जिनकी उम्र बढ़ने के साथ घुटनों में समस्या बढ़ गई है।

चाहे सर्वाइकल (गर्दन दर्द), हील पेन (एड़ी दर्द), लम्बर (पीठ दर्द), जोड़ों का पुराना दर्द, या घुटनों की जकड़न और सूजन—

इस मशीन के जरिए डॉ. सिंह ने कई मरीजों का ऐसा इलाज किया है कि वे सालों पुराना दर्द भूलकर दोबारा सामान्य जीवन जीने लगे हैं।

डॉ. सिंह का मानना है कि मरीज को आराम मिलना चाहिए। वे कहते हैं: दर्द दिखता नहीं है, लेकिन किसी का जीवन रोक देता है। अगर तकनीक से बिना सर्जरी राहत मिल सकती है तो उसे मरीज तक पहुंचाना मेरी जिम्मेदारी है।

साईं हेल्थ केयर वैलनेस सेंटर बिहार का पहला ऐसा संस्थान है जहां यह अत्याधुनिक Knee Decompression Machine स्थापित की गई है। सालों की सेवा, हजारों सफल केस और समाजिक कार्यों में निरंतर योगदान के लिए डॉ. राजीव सिंह को कई राष्ट्रीय सम्मान भी प्राप्त हुए हैं।

पटना में मेडिकल क्रांति, Dr. राजीव सिंह ने लॉन्च की बिना घुटना प्रत्यारोपण वाली आधुनिक तकनीक

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SPIC MACAY To Take 150 Cultural Activities To Mumbai’s Schools & Colleges

Mumbai, December 14, 2025 — SPIC MACAY (Society for the Promotion of Indian Classical Music and Culture Amongst Youth) Mumbai Chapter had its founder and Padma Shri awardee Dr. Kiran Seth during his recent visit to the city. Dr. Seth emphasized the critical role of introducing India’s rich classical arts and yoga to young students at an early age, highlighting how these practices can enhance concentration, patience, and inner discipline, ultimately empowering them to excel in academics, industry, and any career path they choose.

At a recent program and press conference, hosted by Nalanda Public School, Mulund , attended by stalwarts of Indian Classical Music like Pt. Satish Vyas( Padma Shri awardee and Santoor artist), Ustad Kamal Sabri( Sarangi Maestro) and Ustad Raja Miya( Hindustani Classical Vocalist) and Pt. Ronu Mazumdar(Padma Shri awardee and Flautist), Dr. Seth shared his vision.

During his visit in the city, Dr. Seth held talks at IIT Bombay, SBI Payments team, met with Rotary Club International and District Governors and various academic institutions in the city like Pillai University, New Panvel.

In line with this vision, He announced an extensive plan to organise around 150 classical arts programmes across schools and colleges in the Mumbai Metropolitan Region between January and March 2026. The initiative will cover municipal, aided, and private educational institutions, and include lecture-demonstrations, workshops, and concerts, aiming to inspire thousands of young mind.The initiative is supported by partners such as SBI Payments, amongst others like SRF, who share SPIC MACAY’s commitment to nurturing India’s cultural heritage amongst youth.

Addressing the Global Mental Health Pandemic Dr. Seth highlighted a growing global concern: “Students everywhere are facing a pandemic of anxiety, stress, and depression. Many struggle to control their minds and focus, they are constantly stressed ,anxious and unable to focus, causing depression , leading to declining academic outcomes. Our classical music and yoga, if introduced in schools—even if students simply listen—can help ease these issues and foster better outcomes in academics and any fields they pursue”.

A significant backdrop to the Mumbai initiative is the All-India Solo Cycling Yatra completed in 2024 by Dr Kiran Seth, Founder-Chairman of SPIC MACAY. During this journey, Dr Seth cycled 14000 kms across 200+ states, cities, towns, and villages, engaging with students, educators, volunteers, and local communities.The cycling mission aimed to raise awareness about the role of culture in education, encourage physical fitness, environmental responsibility, and simple living, and underline the idea that cultural awareness is integral to responsible citizenship.

Speaking about the initiative, Sabyasachi Dey, former National Secretary of SPIC MACAY, “SPIC MACAY Mumbai Chapter aims to reach out to all students and child in the city through this initiative. We hope that, with this initiative, every child and student appreciates the subtleness, beauty, abstractness and patience and values embodied in our classical arts and heritage in all educational institutions in the city and state of Maharashtra.”

SPIC MACAY To Take 150 Cultural Activities  To Mumbai’s Schools & Colleges

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Fashion Designer Sanaa Khan Umra Pics Saudi Arabia

Fashion Designer Sanaa Khan Umra Pics Saudi Arabia

  

Fashion Designer Sanaa Khan Umra Pics Saudi Arabia

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Dr. Dheeraj Fulmati Singh – A Multi-Talented Personality Excelling In Education, Business, Journalism, Social Work & Sports

Mumbai (Maharashtra): Dr. Dheeraj Fulmati Singh, born and brought up in Mumbai, is a distinguished personality known for his exceptional achievements in academics, business, journalism, literature, social service, and sports. With dedication and hard work, he has established himself as an inspiring figure across multiple fields.

Academic Excellence

Dr.Dheeraj Fulmati Singh completed his Professional Graduation from Mumbai University with an 8th Rank, followed by a Professional Post-Graduation with 3rd Rank.

He also holds a Master’s Degree in Management, showcasing his strong academic foundation.

Business Ventures

A successful entrepreneur, Dr.Dheeraj Fulmati Singh is actively engaged in diverse sectors including—

Real Estate, Pharma, Entertainment, Healthcare, and Media.

His business ventures include—

* Fulba Creators Pvt. Ltd.

* Fulba OTT

* Sinjo Healthcare Pvt. Ltd.

* Dream Reality

* Unique Realtors

Contribution to Journalism

Dr.Dheeraj Fulmati Singh is a prominent columnist and writes for nearly 84 newspapers, magazines, and digital media platforms across India.

His columns are published in leading publications such as—

Amar Ujala, Dainik Bhaskar, Dainik Jagran, Nav Bharat Times, India Today, Jansatta, Amrit Vichar, Pravasi Sandesh, Hindi Vivek and many others.

Social Service Activities

Committed to social welfare, he has organized several impactful initiatives such as—

* Medical Camps

* Blood Donation Camps

* Health Check-up Camps

* Food Donation Drives

Scholarship Programs for economically weaker students

He is also actively involved in managing Ananya Old Age Home.

Author of Notable Books

Dr. Dheeraj Fulmati Singh has authored five acclaimed books, including—

* Mughal Itihas – Thodi Haqeeqat, Zyadā Fasāna

* Aurangzeb – Suljhi, Uljhi Paheli

* Katran – Lekh Sangrah

* Itihaas Ke Gumnam Nayak

* Rajput – Duniya Ki Sabse Nidar Qaum

Positions in Social Organizations

He holds leadership roles in several NGOs—

* Fulba Foundation – President

* Ehsas Foundation – Secretary

* Kshatriya Gaurav Seva Sanstha – Secretary

* Akshar Education Trust – President

* Achievements in Sports & NCC

Dr.Dheeraj Fulmati Singh has also earned recognition in sports and NCC—

National Gold Medalist in Junior Rifle Shooting Championship

Maharashtra State Gold Medalist in Junior Rifle Shooting Championship

NCC Best Cadet Trophy

Best Student Trophy

Winner (Member) – Mumbai University Volleyball Championship

3rd Position – Mumbai University Drama Competition

With excellence in multiple domains, Dr. Dheeraj Fulmati Singh continues to inspire youth across the nation and remains a shining example of dedication and versatility.

Dr. Dheeraj Fulmati Singh – A Multi-Talented Personality Excelling In Education, Business, Journalism, Social Work & Sports

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A High-Level Cyprus Parliamentary Delegation Strengthens India–Cyprus Relations; Cultural Cooperation Highlighted At Marwah Studios

New Delhi : A distinguished Parliamentary Delegation from the Republic of Cyprus paid a significant visit to India with the aim of deepening and expanding the longstanding bilateral relations between the Republic of Cyprus and the Republic of India. The delegation was led by H.E. Annita Demetriou, President of the House of Representatives, Cyprus Parliament, who underlined the importance of democratic values, mutual cooperation, and strategic partnership between the two nations.

The high-profile delegation included: Nicos Tornaritis, Member of Parliament and Representative of the Democratic Rally Party, Aristos Damianou, Member of Parliament and Representative of the AKEL Left New Forces Party, Christiana Erotokritou, Member of Parliament and Representative of the Democratic Party, Marina Adamidou, Director of the International Relations Service, and Gabriella Marangou, Senior International Relations Officer.

The visit was further strengthened by the presence of H.E. Evagoras Vryonides, High Commissioner of Cyprus to India, who emphasized the shared vision of progress and collaboration between the two countries, along with Heraklitos Iosifides, Deputy High Commissioner of Cyprus to India.

During their India visit, the delegation held an important meeting with Hon’ble Vice President of India and Chairman of the Rajya Sabha, Shri C. P. Radhakrishnan, discussing avenues to elevate bilateral engagement. They also met with Dr. S. Jaishankar, External Affairs Minister of India, who reaffirmed India’s commitment to strengthening cooperation in areas including parliamentary exchanges, territorial integrity, and collective opposition to terrorism and radicalisation.

A key highlight of the delegation’s cultural engagement was their interaction with Dr. Sandeep Marwah, President of Marwah Studios and Chancellor of AAFT University, who serves as the Chair of the Indo Cyprus Film and Cultural Forum. Dr. Marwah expressed deep appreciation for Cyprus’ continuous support and emphasized the immense potential of cinema, arts, and cultural exchange as powerful bridges between India and Cyprus.

The discussions with Dr. Marwah focused on new pathways to enhance cultural diplomacy—especially through films, creative collaborations, student exchanges, festivals, and joint cultural initiatives that can further strengthen people-to-people connections. The delegation acknowledged the pivotal role of Marwah Studios and AAFT in global cultural outreach and expressed enthusiasm for future collaborations.

“India and Cyprus share civilizational warmth and a vision for peace, cooperation, and creativity. Through culture and cinema, we can build even stronger relations between our nations,” Dr. Marwah stated.

This historic visit marks a renewed commitment from both sides to advance political dialogue, economic ties, and cultural partnerships—setting the stage for a vibrant new chapter in India–Cyprus relations.

A High-Level Cyprus Parliamentary Delegation Strengthens India–Cyprus Relations; Cultural Cooperation Highlighted At Marwah Studios

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“The Pulse Of Harmony” Solo Show Of Paintings By Dadasaheb Yadav In Jehangir Art Gallery

From: 24th to 30th November 2025
“The Pulse of Harmony”

Solo Show of Paintings

By well-known artist Dadasaheb Yadav

VENUE:

Jehangir Art Gallery,

161-B, M.G. Road

Kala Ghoda, Mumbai 400001

Timing -11am to 7pm.

Dadasaheb Yadav: The Pulse of Harmony

Jehangir Art Gallery, Mumbai

In this new body of work, Dadasaheb Yadav steps away from the representational terrains that once anchored his explorations of monsoon, earth, and the fragrant immediacy of Earth. Instead, he enters the atmospheric unknown; an arena where gesture becomes geography, colour becomes emotion, and abstraction becomes a language of its own unrestrained logic. These watercolour and mixed-media surfaces carry forward his lifelong fidelity to nature, but they no longer describe it; they distill it.

The works surge with washes of violet, viridian, cobalt, cadmium gold, and sudden explosions of black; strokes that feel like weather rather than depiction. Yadav has always been an artist tuned into elemental rhythms. Here, those rhythms unspool into pure energy. The paintings breathe in gradients, drips, and splashes, suggesting the moment before a storm breaks, the hush between waves, the twilight blur of sky dissolving into land. But this time, the harmony he invokes is not pastoral; it is kinetic, restless, charged with the honesty of lived experience.

These abstractions demonstrate an artist unafraid to cut away the literal. What remains is an emotional architecture: atmospheres rather than landscapes, sensations rather than scenes. The viewer is invited into a space where colour becomes memory, movement becomes intuition, and the boundary between internal and external worlds collapses. This is harmony understood not as quietude, but as equilibrium born out of flux, nature’s true state.

Yadav’s mature confidence is evident in his handling of fluid media: bleeding edges that resist containment, fields of pigment that collide yet hold their ground. His gestures feel both spontaneous and inevitable, as if the work knows how to form itself. The paintings echo the lineage of abstract expressionism yet remain unmistakably rooted in his own sensibility, devotional to nature but no longer beholden to its forms.

In these works, Dadasaheb Yadav offers viewers not a window to the world but a mirror to their own internal weather. The visual intensity, the chromatic rush, the raw immediacy, all converge into a profound reminder that harmony is not found; it is felt, encountered, and made anew each time the colours meet.

—-Sushma Sabnis – Mumbai, November 2025

 

“The Pulse Of Harmony” Solo Show Of Paintings By Dadasaheb Yadav In Jehangir Art Gallery

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Anup Jalota Steals Hearts As Bahar-E-Urdu 2025 Concludes In Splendour At Dome SVP Stadium

As the golden lights shimmered inside Dome SVP Stadium, the grand finale of Bahar-E-Urdu 2025 unfolded — marking 50 glorious years of the Maharashtra Urdu Sahitya Academy. The evening was a breathtaking celebration of words, wit, and the warmth of a language that continues to define India’s cultural conscience.

The day began with youthful exuberance at the Inter-Collegiate Bait Baazi, where young poets from across Maharashtra paid tribute to the legends of Urdu through verses that sang of love, longing, and laughter. Hosted by Shamim Iqbal Momin and Mukhlis Madoo, the competition proved that Urdu’s legacy rests safe in the hands — and hearts — of the next generation.

A poignant theatrical presentation, Zameen Ka Ek Tukda by Iqbal Niyazi, followed — its narrative laced with emotion, echoing themes of belonging and humanity.

Laughter found its moment through Hasya Kavi Kaleem Samar, whose humour shone with linguistic brilliance, while Monika Singh, Additional Collector, Solapur, lent grace and gravitas with her evocative shayari.

And then came the night’s divine crescendo.

Anup Jalota, the maestro of melody, took the stage — and with each ghazal, filled the Dome with reverence and nostalgia. His voice was a bridge between the classical and the contemporary, between devotion and desire. Reflecting on Urdu’s essence, he said, “Urdu is not a language you speak — it is the breath you take when your heart begins to sing.”

The celebrations deepened with the Awards Ceremony, hosted by Shekhar Suman and Priya Malik, honouring poets, teachers, journalists, and authors whose words have shaped the course of Urdu literature. Each award was not just a recognition — it was a bow to fifty years of commitment to culture and creativity.

Finally, Shabab Sabri’s powerful Qawwali resonated the Dome, adding the electrifying cresendo to the charged ambience.

And a the National Anthem played and the curtains descended, Bahar-E-Urdu left behind more than applause — it left behind a promise.

A promise that Urdu will continue to breathe through Mumbai’s veins, whisper through its poets, and rise once again — every time a verse is born.

Anup Jalota Steals Hearts As Bahar-E-Urdu 2025 Concludes In Splendour At Dome SVP Stadium

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انوپ جلوٹا نے باندھا سُر کا سماں، ڈوم ایس وی پی اسٹیڈکم میں “بہار اردو – 2025” کا شاندار اختتام

ممبئی : روشنیوں میں جگمگاتے ورلی کے ڈوم ایس وی پی اسٹیڈیم میں مہاراشٹر ساہتیہ اردو اکیڈمی کے 50 سالہ جشن “بہار اردو” کا شاندار اختتام عمل میں آیا ہے۔ سہ روزہ پروگرام کے آخری دن ہندوستانی ثقافت اور اردو زبان و ادب کا ایک حسین امتزاج پیش کیا گیا۔

 

بہار کا دو کے تیسرے اور آخری دن کا آغاز انٹر کالجیٹ بیت بازی مقابلے سے ہوا جس میں طلبہ نے مختلف راؤنڈس میں شعر و شاعری سے سامعین کو محظوظ کیا۔ یہ جہاں ایک مقابلہ تھا وہیں اس میں اردو کے مشہور شعرا کے ناموں پر بنائی گئی ٹیموں سے ان شعرا کو خراج تحسین بھی پیش کیا گیا۔ بیت بازی کے مقابلے میں شمیم اقبال مومن اور مخلص مدو کی میزبانی نے ثابت کیا کہ اردو کی میراث اگلی نسل کے ہاتھوں اور دلوں میں محفوظ ہے۔

 

بیت بازی کے بعد “زمین کا ایک ٹکڑا” کے عنوان سے ڈرامہ پیش کیا گیا جس کا بیانیہ جذبات سے لبریز تھا اور اس ڈرامے میں تعلق اور انسانیت کے موضوعات کی بازگشت بھی سنائی دیتی ہے۔ اس ڈرامے کی ہدایات اقبال نیازی نے دی تھی۔

 

ڈرامے کے بعد طنز و مزاح کے معروف شاعر کلیم ثمر نے اپنے مزاحیہ کلام سے سامعین کو لطف اندوز کیا۔ وہیں سولا پور کی ایڈیشنل کلکٹر مونیکا سنگھ نے اپنی خوبصورت شاعری پیش کی جس پر سامعین نے دل کھول کر دل کھول کر داد دی۔

 

شام کے اوقات میں معروف غزل گلوکار انوپ جلوٹا نے اسٹیج سنبھالا اور بہترین غزلیں پیش کی۔ انہوں نے کہا کہ “اردو وہ زبان نہیں ہے جسے آپ بولتے ہیں – یہ وہ سانس ہے جو آپ لیتے ہیں جب آپ کا دل گانا شروع کرتا ہے۔”

 

بعد ازاں شیکھر سمن، امتیاز خلیل اور پریا ملک کی میزبانی میں تقسیم ایوارڈ کی تقریب منعقد ہوئی جس میں اردو، شعرا، ادبا، صحافی، نوآموز قلمکار، لے آؤٹ ڈیزائنر، اساتذہ اور مصنفین کی خدمات کا اعتراف کرتے ہوئے انہیں ایوارڈ سے سرفراز کیا گیا۔

 

آخر میں معروف گلوکار شباب صابری نے اپنے مشہور کلام اور دیگر فلمی نغموں سے ڈوم ایس وی پی اسٹیڈیم اور اس میں موجود شرکا کو اس سرشار کر دیا۔ شباب صابری کے نغمات پر نوجوان سامعین میں قابل ذکر جوش و خروش نظر آیا۔

 

آخری میں قومی ترانے کے ساتھ مہاراشٹر ساہتیہ اردو اکیڈمی کے 50 سالہ جشن “بہار اردو” کا اختتام عمل میں آیا۔  بہار اردو کے تینوں دن نہ صرف اہلیان ممبئی بلکہ دیگر شہروں سے آئے ہوئے لوگوں نے نمایاں جوش و خروش نظر آیا ہے۔ یہ ایک وعدہ کہ اردو ممبئی کی رگوں میں سانس لیتی رہے گی، اپنے شاعروں کے ذریعے سرگوشی کرتی رہے گی، اور ایک بار پھر سے اٹھے گی – جب بھی کوئی شعر جنم لے گا۔

انوپ جلوٹا نے باندھا سُر کا سماں، ڈوم ایس وی پی اسٹیڈکم میں “بہار اردو – 2025” کا شاندار اختتام

 

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अनूप जलोटा ने बाँधे सुरों के मनके, बहार-ए-उर्दू 2025 का भव्य समापन डोम एसवीपी स्टेडियम में

जब डोम एसवीपी स्टेडियम की सुनहरी रोशनी शाम की नर्म हवा में घुली, तो बहार-ए-उर्दू 2025 का अंतिम अध्याय खुला — और इसके साथ ही मनाया गया महाराष्ट्र उर्दू साहित्य अकादमी के 50 सुनहरे वर्ष। यह शाम थी शब्दों, शायरी, सुरों और एहसास की — जिसने मुंबई को उर्दू की खुशबू में डुबो दिया।

दिन की शुरुआत हुई जोश और जज़्बे से भरे इंटर-कॉलेजिएट बैतबाज़ी मुकाबले से, जहाँ महाराष्ट्र के विभिन्न कॉलेजों के नौजवान शायरों ने उर्दू के अदीबों को अपने अल्फ़ाज़ से सलाम किया। मेज़बान शमिम इक़बाल मोमिन और मुख़लिस माडू ने इस मुशायरे को ऐसी रवानी दी कि लगा — उर्दू की रूह आज भी इन दिलों में ज़िंदा है।

इसके बाद मंच सजा इक़बाल नियाज़ी के नाट्य प्रस्तुति ज़मीन का एक टुकड़ा के लिए — एक ऐसी कहानी जिसने इंसानियत, दर्द और अपनेपन की दास्तां को संवेदनशीलता से पिरोया।

फिर मुस्कुराहटों की बारी आई, जब हास्य कवि कलीम समर ने अपनी ज़ुबान की नर्मी और लफ़्ज़ों की चमक से सबको हंसी में डुबो दिया। मोनिका सिंह, अतिरिक्त कलेक्टर, सोलापुर, ने अपने अशआर से शाम में नज़ाकत और नूर दोनों भर दिए।

और फिर — हवा में ख़ामोशी उतर आई।

अनूप जलोटा, सुरों के बादशाह, मंच पर आए।

हर ग़ज़ल, हर आलाप के साथ उन्होंने डोम को भक्ति, मोहब्बत और यादों के समुंदर में बदल दिया।

उन्होंने उर्दू की रूह को यूँ बयान किया  — “उर्दू कोई ज़ुबान नहीं, वो साँस है जो दिल के गाने के साथ चलती है।”

इसके बाद शेखर सुमन और प्रिया मलिक की मेज़बानी में हुआ अवार्ड सेरेमनी, जहाँ उर्दू के कवियों, शिक्षकों, पत्रकारों और लेखकों को उनके अद्वितीय योगदान के लिए सम्मानित किया गया। हर अवार्ड, उर्दू की आधी सदी की मेहनत और मुहब्बत को सलाम था।

अंत में शबाब सबरी की क़व्वाली ने डोम एसवीपी स्टेडियम को इबादतगाह में बदल दिया — जहाँ सुर दुआ बन गए, ताल सजदा बन गई, और उर्दू फिर अमर हो गई।

जब राष्ट्रगान की गूंज फैली और परदे गिरे, तो बहार-ए-उर्दू अपने पीछे सिर्फ़ तालियाँ नहीं छोड़ गया —

वो छोड़ गया एक वादा।

एक वादा कि उर्दू मुंबई की रगों में बहती रहेगी,

हर शायर की साँस में गूँजती रहेगी,

और हर बार फिर जन्म लेगी — जब भी कोई नया शेर लिखा जाएगा।

अनूप जलोटा ने बाँधे सुरों के मनके, बहार-ए-उर्दू 2025 का भव्य समापन डोम एसवीपी स्टेडियम में